When it comes to the fate of landscape art and garden art, one must mention one of China's four masterpieces, "A Dream of Red Mansions." The Grand View Garden in Cao Xueqin's dream has focused on the essence of landscape art in garden art. The charm of Chinese landscape art, on the paper of Cao Xueqin's pen, has become an exquisite "too imaginary". The “Dream of Red Mansions†that was mournful and golden, one scene and one out, were all performed in the Grand View Garden. The Grand View Garden is a model for Cao Xueqin's use of landscape art in gardens. Here we will give a brief overview of the Grand View Garden from an artistic design perspective.
Original: Jia Zhengdao: "It is a difficult task for this couplet to be counted on. The great scenery, a number of pavilions, and no title are also degraded and boring, and there is no need for them to live."
Appreciation and analysis: “Large views, a number of pavilions, and no title, but also feel depraved, boring, and there are no flowers or landscapes.†The finishing touch, in a word, reveals the true meaning of garden art, if there is no culture The garden can only be counted as wild mountain villages, but it is by no means garden art. The inscriptions, poems, couplets, etc. in the garden are the most important ones. The most important thing is that the words are sent together to reflect the scenery, the scenery is reflected in the artistic conception, the scenes are blended, and are indispensable. If less, it is not called garden art. "According to the scene," is the essence of the garden language. "Elegant pleasure" is the purpose of garden art. Garden inscriptions can make the garden brilliance, but also can make the garden obliterate. If you want to blend scenes, you must combine scenery and humanistic spirit. That scene is the art of landscape, and that is the humanistic spirit.
Original: Jia Zhengxian Bingzhen is watching the door, only see the main entrance of the five ... ... and no Zhufen finishes ... ... it does not fall in splendid fashion ... I saw the face of the area along the Cui Wei block in the front ... ... Jia Zheng said: "This is not a mountain, come in "What is the interest of all the sights in the garden?" Saying it, look forward... The top of the moss is spotted, and the vines are hidden.
Appreciation: "There is no Zhufen finishes, do not fall in splendid style", rich and glamorous sense of vulgarity, landscape art is the most talked about landscape art "in the elegant spirit." "Cui Xie facing the face" is also a straightforward technique in garden art. There is no glance at artistic tastes. There are thousands of temples in the chest of the gardeners, and the viewers have an affair in their minds, both of which are essential to appreciate the garden art. “Shady greenery and trekking trails†are the magical uses of winding streets and rivers. They have the artistic conception of “walking to the poor waters and sitting and watching the cloudsâ€. The famous poet and painter of the Tang Dynasty, Wang Wei, is a native of Sichuan and Sichuan. He has a collection of “Xianchuan Collection†and “The Map of Sichuanâ€, a cloud of mountains and rivers, a faintly slovenly and wiping cloud, and a fluctuating fancier. The singing of the fishery was not sculpted at night, but it attracted poets, painters, and designers from later generations.
Original: Suddenly I saw that there was a mirror of white stone on the mountain. It was at the face-saving question... Bao Yu said: “The tasting of the ancients had clouds: 'The new words are better than the old ones. The original view has nowhere to be found, but it is a progressing exploration of the scene. Moruozhi's old poetry, "The winding path is quiet," is an old poem, and it is also generous."
Appreciation and analysis: "The new edition is better than the old one, and the ancient and the last is better than the present." It is indeed a far-reaching way to express the art of the garden art; "exploration" is also an indispensable brush for the garden art. Wang Bo Deng Tengwang Pavilion, saying, "Falling clouds and solitary flocking together, Qiushui total long sky color", thinking of "Feng Tangyi old, Li Guangnan Feng, Qu Jiayi in Changsha"; Fan Zhongmeng in mind Yueyang Tower, at a glance "Sheng Yuanshan, swallowing The Yangtze River is a mighty and boundless place, and there are no boundaries around it. The Zhaohui yin and the yin and the weather are still thousands of miles away. The shouting is still “the worry and worries of the world before, and the joy and happiness of the worldâ€; Su Dongpo works for Chibi. For example, Ling Wan is a stunned person, "back to the embarrassment of the" Dajiang East, Lang Tao to make people through the ages." This is the charm of landscape art.
Original: Into the cave, I saw good green lush greenery, exotic flowers, along with clear flow, from the depths of flowers and trees diarrhea below the stone gap. Then a few more steps, gradually to the side, flat wide exclusion, both sides of the Feilou inserted into the empty, embroidered ç” embroidered 槛, are hidden between the tops of the mountain trees. Observe it and look at it, but see the Qingxi Diaoyu, the stone sarcophagus through the clouds, the white stone is the column, surrounded by pond marsh, stone bridge three ports, animal face vomit. There are pavilions on the bridge. Jia Zheng laughed and said: "According to my talent, Ouyang sentence: 'Purging between the two peaks', actually use him this one 'pricking' word." ... Bao Yu said: "Useful" diarrhea jade 'word, then Moru "æ²èŠ³" the word, is not a new elegance?" Also made a pair of couplets: three divers around the embankment will be emperor;
Appreciation and Analysis: The words used by Ouyang Xiu on that day can be said to be wonderful. Today's ancient account is far-fetched. That is what the ancients called “bundling is not a coupleâ€. The situation shifts, and with celebrity classics and stories, it should also be used to study and use. “When conforming to the body of the systemâ€, it is a requirement that the artistic design of the garden should be based on different changes in the space-time environment and be different. "Xiao" is released, "æ²" is closed, and "æ²èŠ³" is a word that gives people endless imaginations, good times, beautiful scenery, pleasing and happy things. On the Fengyuqiao Pavilion, a pair of “three emeralds around the embankment and a gentle incense along the banks of the shore flowers†​​hangs on the pavilion. The views of the surrounding landscape and the deep meaning of the word “æ²èŠ³â€ are spoken.
Original: In front of the powdered earthworms, there are thousands of bamboos and shades. I saw the entry is the winding corridor, steps under the stone into a road. Above the small two or three houses ... from the inside room and got a small door, go out is the backyard, there is a large pear, broadleaf banana ... ... under the backyard wall suddenly open a gap, a spring school, ditch only Ruler Xu, pours into the wall, circling the edge house to the front yard, circling the bamboo and out... One way is “Kishui legacy†and another is “Graceful garden sceneryâ€... Baoyu said: “This is too banish Mo Ruo's "Fenglai Laiyi" four-character." Baoyu also made a joint: Baoding tea smoke is still green; Chou window chess strike still cool.
Appreciation: This first attraction has been re-visited from the design: there is a white porridge in front of it, a number of Buddhist temples, and hundreds of bamboo trees; behind it there are large pears, broadleaf bananas, and a stream of spring water. The edge of the house, circled under the bamboo out. Together with the sumptuous words and repugnant words, Zhennai is a man of nature.
The original: Jia Zhen replied: "The stuff that has already been added has already been added a lot, the natural arrangements for the advent of the time ... was the same time when the project to draw the drawings everywhere, the size of the standard......"
Appreciation: indoor furniture supplies, also a number of gardens in the crowning touch, in the design must be considered in order to play a harmonious decorative arts effect. This is an artificial carving of landscape art, but it is indispensable in garden art, both functional and artistic.
Original: It was revealed that some yellow mud was built on the low wall, and the walls were covered with rice stems. There are several hundred apricot flowers, such as fire-steamed haze. There are a number of huts, but outside it is mulberry, halberd, oyster, oyster, a variety of young trees, with its twists and turns, compiled on the two rolling green hedge. Under the hillside outside the fence, there is a well, next to the genus of oranges. The following sub-columns are planted with acres of flowers and flowers are beautiful. The party wants to enter the fence and suddenly there is a stone culm on the roadside. The preparation... Bao Yu said: “The old poetry has clouds: 'Red apricot shooter hangs the wine flag'. Today, if the Moringa 'apricot curtain is in sight', there is an ancient poem: 'Chaimen's Rice Flower', why not use 'Dao Xiangcun'? 'Miao?'
Appreciation: This "Taoxiang Village" design also exhausted the pastoral scenery, stunned in-depth, Tao Yuanming's pastoral poetry but leisurely --- more than ten acres of cottages, 89 rooms of straw. After the Yin Liu Yin Yin, Tao Li Luo Tang. ... The household is clean and dusty, and there is spare space in the virtual room.
Original: Bao Yu said: "But again! This disposal of a grange, clearly seen from the human tortoise and tweaking. There is no neighboring village, near no Guo, back hill and no pulse, the water is passive, the tower of Gaowu Temple There is no bridge to the city, and there is no bridge to the city, but it seems to be a non-big view.The contend that there is a reason for nature first, and that there is a natural atmosphere, although the bamboo attracts springs, it does not hurt to wear chisels. It is awesome and strong, and it is not a mountain but a strong mountain.
Appreciation: Cao Xueqin has used a “natural picture†here. The so-called “natural picture†is the art of landscapes. It explains all the reasons for garden art. Anything that is barely conceived and decorated is not an art, but it must be “ Engraving is not a good thing, and painting a tiger is not an anti-class dog." It is an annoying result.
Cao Xueqin has a profound literary foundation and also has the same “Shi Zhi Quan†as a scholar-bureaucrat. Naturally, he designs a garden art that blends landscape art with humanistic spirit. His literary cultivation pushes garden art to the extreme, and garden art also polishes Cao Xueqin's literary cultivation. Such a perfect combination of writers, artists and designers is really rare in ancient and modern times.
The reason why landscape art can activate modern design lies in the word “artâ€. There is art, not only natural scenery, but also the humanistic spirit and the materialization of human emotions. If there is no art, landscapes are dead stones, no spirituality, no vitality. China’s Confucianism, Taoism, and Buddhism, and the high temples and temples of Confucianism, have always been the orthodox representatives of the ruling class. Taoism and Buddhism are far away from the mountains, affecting all living beings and affecting The ruling class. Both Taoism and Buddhism spread over the mountains and lakes and occupied Qingshan Xiushui, making it possible for imperial officials, noble officials, and despotic people thousands of miles away to pay tribute. The fundamental reason lies in the word “artâ€. Therefore, landscape art is a mixture of natural scenery and humanistic spirit. Without natural scenery, it cannot be called landscape; without humanistic spirit, it cannot be called art. This is the broad meaning of landscape art, and it is also the reason why we obtain the spirituality of artistic creation.
Chinese landscape art is a poem written between mountains and rivers. It is a song sung by the shepherd's fisherman. It lingers in the mountains, in the water, and in the shadows of the trees. It lingers in clouds, fog, and smoke locks. It walks through wind, rain, and sky. It has the souls of Li Lan and Zhuang Zhou, as well as the charms of Tao Qian and Li Bai; there are natural talents and humanistic poetic paintings. Therefore, once the landscape painting was unfolded, the ancients, together with their poetry and poetry, and chest and middlings, were splashed into the picture scroll, so that the spirit of the landscape and the spirit of the sages could be attained between the sizes. At this time, we will also be able to find design inspiration.
Original: Jia Zhengdao: "It is a difficult task for this couplet to be counted on. The great scenery, a number of pavilions, and no title are also degraded and boring, and there is no need for them to live."
Appreciation and analysis: “Large views, a number of pavilions, and no title, but also feel depraved, boring, and there are no flowers or landscapes.†The finishing touch, in a word, reveals the true meaning of garden art, if there is no culture The garden can only be counted as wild mountain villages, but it is by no means garden art. The inscriptions, poems, couplets, etc. in the garden are the most important ones. The most important thing is that the words are sent together to reflect the scenery, the scenery is reflected in the artistic conception, the scenes are blended, and are indispensable. If less, it is not called garden art. "According to the scene," is the essence of the garden language. "Elegant pleasure" is the purpose of garden art. Garden inscriptions can make the garden brilliance, but also can make the garden obliterate. If you want to blend scenes, you must combine scenery and humanistic spirit. That scene is the art of landscape, and that is the humanistic spirit.
Original: Jia Zhengxian Bingzhen is watching the door, only see the main entrance of the five ... ... and no Zhufen finishes ... ... it does not fall in splendid fashion ... I saw the face of the area along the Cui Wei block in the front ... ... Jia Zheng said: "This is not a mountain, come in "What is the interest of all the sights in the garden?" Saying it, look forward... The top of the moss is spotted, and the vines are hidden.
Appreciation: "There is no Zhufen finishes, do not fall in splendid style", rich and glamorous sense of vulgarity, landscape art is the most talked about landscape art "in the elegant spirit." "Cui Xie facing the face" is also a straightforward technique in garden art. There is no glance at artistic tastes. There are thousands of temples in the chest of the gardeners, and the viewers have an affair in their minds, both of which are essential to appreciate the garden art. “Shady greenery and trekking trails†are the magical uses of winding streets and rivers. They have the artistic conception of “walking to the poor waters and sitting and watching the cloudsâ€. The famous poet and painter of the Tang Dynasty, Wang Wei, is a native of Sichuan and Sichuan. He has a collection of “Xianchuan Collection†and “The Map of Sichuanâ€, a cloud of mountains and rivers, a faintly slovenly and wiping cloud, and a fluctuating fancier. The singing of the fishery was not sculpted at night, but it attracted poets, painters, and designers from later generations.
Original: Suddenly I saw that there was a mirror of white stone on the mountain. It was at the face-saving question... Bao Yu said: “The tasting of the ancients had clouds: 'The new words are better than the old ones. The original view has nowhere to be found, but it is a progressing exploration of the scene. Moruozhi's old poetry, "The winding path is quiet," is an old poem, and it is also generous."
Appreciation and analysis: "The new edition is better than the old one, and the ancient and the last is better than the present." It is indeed a far-reaching way to express the art of the garden art; "exploration" is also an indispensable brush for the garden art. Wang Bo Deng Tengwang Pavilion, saying, "Falling clouds and solitary flocking together, Qiushui total long sky color", thinking of "Feng Tangyi old, Li Guangnan Feng, Qu Jiayi in Changsha"; Fan Zhongmeng in mind Yueyang Tower, at a glance "Sheng Yuanshan, swallowing The Yangtze River is a mighty and boundless place, and there are no boundaries around it. The Zhaohui yin and the yin and the weather are still thousands of miles away. The shouting is still “the worry and worries of the world before, and the joy and happiness of the worldâ€; Su Dongpo works for Chibi. For example, Ling Wan is a stunned person, "back to the embarrassment of the" Dajiang East, Lang Tao to make people through the ages." This is the charm of landscape art.
Original: Into the cave, I saw good green lush greenery, exotic flowers, along with clear flow, from the depths of flowers and trees diarrhea below the stone gap. Then a few more steps, gradually to the side, flat wide exclusion, both sides of the Feilou inserted into the empty, embroidered ç” embroidered 槛, are hidden between the tops of the mountain trees. Observe it and look at it, but see the Qingxi Diaoyu, the stone sarcophagus through the clouds, the white stone is the column, surrounded by pond marsh, stone bridge three ports, animal face vomit. There are pavilions on the bridge. Jia Zheng laughed and said: "According to my talent, Ouyang sentence: 'Purging between the two peaks', actually use him this one 'pricking' word." ... Bao Yu said: "Useful" diarrhea jade 'word, then Moru "æ²èŠ³" the word, is not a new elegance?" Also made a pair of couplets: three divers around the embankment will be emperor;
Appreciation and Analysis: The words used by Ouyang Xiu on that day can be said to be wonderful. Today's ancient account is far-fetched. That is what the ancients called “bundling is not a coupleâ€. The situation shifts, and with celebrity classics and stories, it should also be used to study and use. “When conforming to the body of the systemâ€, it is a requirement that the artistic design of the garden should be based on different changes in the space-time environment and be different. "Xiao" is released, "æ²" is closed, and "æ²èŠ³" is a word that gives people endless imaginations, good times, beautiful scenery, pleasing and happy things. On the Fengyuqiao Pavilion, a pair of “three emeralds around the embankment and a gentle incense along the banks of the shore flowers†​​hangs on the pavilion. The views of the surrounding landscape and the deep meaning of the word “æ²èŠ³â€ are spoken.
Original: In front of the powdered earthworms, there are thousands of bamboos and shades. I saw the entry is the winding corridor, steps under the stone into a road. Above the small two or three houses ... from the inside room and got a small door, go out is the backyard, there is a large pear, broadleaf banana ... ... under the backyard wall suddenly open a gap, a spring school, ditch only Ruler Xu, pours into the wall, circling the edge house to the front yard, circling the bamboo and out... One way is “Kishui legacy†and another is “Graceful garden sceneryâ€... Baoyu said: “This is too banish Mo Ruo's "Fenglai Laiyi" four-character." Baoyu also made a joint: Baoding tea smoke is still green; Chou window chess strike still cool.
Appreciation: This first attraction has been re-visited from the design: there is a white porridge in front of it, a number of Buddhist temples, and hundreds of bamboo trees; behind it there are large pears, broadleaf bananas, and a stream of spring water. The edge of the house, circled under the bamboo out. Together with the sumptuous words and repugnant words, Zhennai is a man of nature.
The original: Jia Zhen replied: "The stuff that has already been added has already been added a lot, the natural arrangements for the advent of the time ... was the same time when the project to draw the drawings everywhere, the size of the standard......"
Appreciation: indoor furniture supplies, also a number of gardens in the crowning touch, in the design must be considered in order to play a harmonious decorative arts effect. This is an artificial carving of landscape art, but it is indispensable in garden art, both functional and artistic.
Original: It was revealed that some yellow mud was built on the low wall, and the walls were covered with rice stems. There are several hundred apricot flowers, such as fire-steamed haze. There are a number of huts, but outside it is mulberry, halberd, oyster, oyster, a variety of young trees, with its twists and turns, compiled on the two rolling green hedge. Under the hillside outside the fence, there is a well, next to the genus of oranges. The following sub-columns are planted with acres of flowers and flowers are beautiful. The party wants to enter the fence and suddenly there is a stone culm on the roadside. The preparation... Bao Yu said: “The old poetry has clouds: 'Red apricot shooter hangs the wine flag'. Today, if the Moringa 'apricot curtain is in sight', there is an ancient poem: 'Chaimen's Rice Flower', why not use 'Dao Xiangcun'? 'Miao?'
Appreciation: This "Taoxiang Village" design also exhausted the pastoral scenery, stunned in-depth, Tao Yuanming's pastoral poetry but leisurely --- more than ten acres of cottages, 89 rooms of straw. After the Yin Liu Yin Yin, Tao Li Luo Tang. ... The household is clean and dusty, and there is spare space in the virtual room.
Original: Bao Yu said: "But again! This disposal of a grange, clearly seen from the human tortoise and tweaking. There is no neighboring village, near no Guo, back hill and no pulse, the water is passive, the tower of Gaowu Temple There is no bridge to the city, and there is no bridge to the city, but it seems to be a non-big view.The contend that there is a reason for nature first, and that there is a natural atmosphere, although the bamboo attracts springs, it does not hurt to wear chisels. It is awesome and strong, and it is not a mountain but a strong mountain.
Appreciation: Cao Xueqin has used a “natural picture†here. The so-called “natural picture†is the art of landscapes. It explains all the reasons for garden art. Anything that is barely conceived and decorated is not an art, but it must be “ Engraving is not a good thing, and painting a tiger is not an anti-class dog." It is an annoying result.
Cao Xueqin has a profound literary foundation and also has the same “Shi Zhi Quan†as a scholar-bureaucrat. Naturally, he designs a garden art that blends landscape art with humanistic spirit. His literary cultivation pushes garden art to the extreme, and garden art also polishes Cao Xueqin's literary cultivation. Such a perfect combination of writers, artists and designers is really rare in ancient and modern times.
The reason why landscape art can activate modern design lies in the word “artâ€. There is art, not only natural scenery, but also the humanistic spirit and the materialization of human emotions. If there is no art, landscapes are dead stones, no spirituality, no vitality. China’s Confucianism, Taoism, and Buddhism, and the high temples and temples of Confucianism, have always been the orthodox representatives of the ruling class. Taoism and Buddhism are far away from the mountains, affecting all living beings and affecting The ruling class. Both Taoism and Buddhism spread over the mountains and lakes and occupied Qingshan Xiushui, making it possible for imperial officials, noble officials, and despotic people thousands of miles away to pay tribute. The fundamental reason lies in the word “artâ€. Therefore, landscape art is a mixture of natural scenery and humanistic spirit. Without natural scenery, it cannot be called landscape; without humanistic spirit, it cannot be called art. This is the broad meaning of landscape art, and it is also the reason why we obtain the spirituality of artistic creation.
Chinese landscape art is a poem written between mountains and rivers. It is a song sung by the shepherd's fisherman. It lingers in the mountains, in the water, and in the shadows of the trees. It lingers in clouds, fog, and smoke locks. It walks through wind, rain, and sky. It has the souls of Li Lan and Zhuang Zhou, as well as the charms of Tao Qian and Li Bai; there are natural talents and humanistic poetic paintings. Therefore, once the landscape painting was unfolded, the ancients, together with their poetry and poetry, and chest and middlings, were splashed into the picture scroll, so that the spirit of the landscape and the spirit of the sages could be attained between the sizes. At this time, we will also be able to find design inspiration.
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