Huanghua pear and rosewood furniture can have the value of today, not simply because the material is expensive, whether the shape is beautiful, the craft is exquisite, the charm is vivid, etc. is to consider the core standard, and not to look at the furniture from a purely aesthetic perspective, this It is a manifestation of the immature state of mind.
Although the wood collection is now prosperous, it is not too high in the collection circle. After all, the wood collection is the first to be limited by the large area. For example, the “pull bed†is like a small house. Without a relatively large space, it cannot be placed. Therefore, common collectors rent large warehouses to house their favorite collections; as the number of collections increases, they have to constantly change warehouses. This is in turn related to the second major limitation of the collection of woodware: it is very cumbersome to carry, and it is extremely labor-intensive to hire professionals to disassemble it. This kind of trouble is prohibitive for many people than the collections such as calligraphy and painting that are easy to store.
Fortunately, as long as it is true love, what difficulties are not afraid. Not to mention the above two limitations, that is, a few more difficulties, can also play a certain realm. However, today's woodware collection circle, the proliferation of "materialism is the theory" is not afraid of the problem of not afraid of difficulties, but whether it can guide the collection of woodware to the key proposition of sustainable and healthy development.
Although the collection of wood can not be "only material theory" is a bit old-fashioned, and many famous people have said it, but the author wrote this article to say that it is not a matter of picking up the teeth, but the wind of "materialism is the theory" is now more than endless. Because many people only pay attention to the high value of huanghuali wood, rosewood furniture, and as long as they see the furniture of these two materials, regardless of their beauty, old and new, all in the arms; even a small piece of wood Love Ruobao, or a string of beads on the car, constantly show off to friends; it is also common for Tibetans to make poorly-made, can't talk about any aesthetically pleasing huanghuali or red sandalwood utensils as a "big leak."
The occurrence of the above strange phenomenon is not accidental. For historical reasons, because Ming style furniture is unique in the world furniture system and has unlimited artistic value, it is still sought after by domestic and foreign markets; especially since the 1990s, international and domestic large-scale auctions often have value. Hundreds of thousands of yuan of huanghuali furniture has emerged, so that in the field of collection, Huanghuali furniture has always been the leader. The Qing-style rosewood furniture was second only to the Ming-style huanghuali furniture because it was favored by the rulers in the Qing Dynasty. But as everyone knows, huanghuali and rosewood furniture can have today's worth, not simply because the material is expensive, whether its shape is beautiful, whether the craft is exquisite, whether the charm is vivid, etc. is the core standard for consideration. Rather than examining the furniture from a purely aesthetic perspective, it is a manifestation of the immature state of mind collection; those who hold this attitude are not really collectors, but can only be regarded as a redwood fan.
According to the development of recent years, the driving of economic interests, the hot speculation of the media, the scarcity of raw materials... Many factors have led people to pursue materials blindly and excessively, ignoring the artistic and cultural nature of the collection. This harm is not a problem, not only reduces the cultural taste of the individual, but also provides opportunities for the wooden counterfeiters to seek benefits, which also makes the market chaotic and makes people feel a short lively.
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